A Little Bit of Adrenaline is my Favourite Medicine: Horror, Healing and PTSD 

This essay has been a long time coming. I started drafting it eight months ago, to be precise. I intended it to be something very different, but in the end, it was a tool for catharsis. It’s funny, I always used to tell people I wrote creatively to help process my trauma and to make sense of an often unkind world. I’ve used “writing for wellness” for almost 35 years, assuming I begin the count from when I first began keeping a personal diary. Add in the years of stereotypical “teen-angst” poetry, some clumsy and poorly-planned attempts at copying my favourite horror authors in my twenties, fast-forward through motherhood when raising children took greater precedent over writing, and we reach what I thought of as the Comeback Period where I finally seemed to hit my stride. And then… disaster struck, and I found I couldn’t write for wellness anymore. 

Strap yourselves in, folks. This could take a while.


Everyone knows what PTSD looks like. We’ve seen it played out plenty of times in the movies. The hyperventilating, hallucinating, flashback-driven character garnished with a-side-helping-of-auditory-fuckery commonly introduced in Horrors and Thrillers. The ‘Nam veteran (or Gulf, or whichever war seems applicable). The (usually female) sexual assault victim. The grieving parent who lost their child too soon, often because of their own actions. The problem is, PTSD is not really like that at all. These characters show fictional PTSD with little thought given to the reality. But how else can a filmmaker show someone in mental health crisis if not through a selection of over-exaggerated tropes? 

It’s all bollocks, of course. And I should know, having spent the last eighteen months dealing with the reality. Oh, and using Horror to get me through it. 

I’m T.L Wood and you may know me from previously published essays such as: ‘What You Need Right Now is a Nice Soothing Horror Story,’ ‘Staring Down the Darkness: Horror and Mental Health’ and ‘The Tao of the Black Dog.’ In case it isn’t obvious, I really like writing about Horror and mental health. In fact, maybe a little too much … 

I shared a bit about what happened during the time, but to keep it simple, the TL/DR version (as the geek kids might say) is that in 2022 I experienced medical and dental trauma that caused a significant amount of drug-resistant nerve pain and ultimately resulted in the removal of all my adult teeth. I will also say upfront that while I hated having to make the choices I did, I do not regret making them, only that I wish I could have done so under better circumstances. Speaking from a place on the “other side” of trauma, I am happy with my decision and it has actually improved my life for the better. In fact, in some ways, I wish I’d had the knowledge and support to do this many years ago. But I would be lying if I said this was easy or had eliminated any residual mental distress. Unlike in the movies, there is rarely a handy fix for PTSD. 

A few years ago, a friend shared a blog post with me. It expressed the idea that grief is like a ball in a box. As it bounces around and hits the sides, it causes a great deal of mental anguish. When the grief is fresh, the ball is massive, and it hits the box almost all the time, but as time passes, the ball gets smaller and the hits much weaker. We learn to cope with how that ball feels, and we learn not to upset the box. Sometimes we get the urge to give the box a shake, to remind ourselves of those feelings. Yes, humans can be quite complex creatures, and often do things that seem counterintuitive, but actually help us grow stronger and process our emotions. Just like when we immerse ourselves in Horror fiction when we’re feeling vulnerable or upset. To quote from one of my earlier essays: Horror, by its very nature, is confronting while showing us where the boundaries are. Horror lets us shake that box in a safe and controlled environment. It gives us space to feel uncomfortable but know we’re still in the driving seat. 

I have to admit, I really liked the ‘ball in the box’ metaphor. I even liked a later re-telling of it that says the ball does not get smaller, but that the box grows bigger, implying that we grow around our grief rather than do things to make it shrink. They’re both fantastic, visual ways of understanding some deeply complex and painful feelings, and had helped me many times previously. I thought PTSD would also be like that. That eventually the pain would get smaller, or I would get bigger, and shaking the box would be a controlled way to process my experience. But I made a mistake.

Real talk once again: I genuinely think medication is a useful and valid tool to support people with finding and maintaining good mental health. I also respect and understand why some people don’t like it, don’t want it, or find it inappropriate for them. That said, my personal experience is that when it worked for me, it probably saved my life, but when it stopped working, it was a real bummer. So once again, in the interests of moving forwards: I tried it, at first it worked, things changed, and then nothing seemed to work at all. 

I needed new tools. 

I am almost at the top of the climbing wall when I feel the strength fade in my fingers and the muscles in my forearms start to spasm. My grip slips and I whimper, scrambling to gain purchase on the ledge. I hold on, balanced precariously, trying to support my weight, but I know I can’t stay that way forever. Gravity will always win. 
I look down at the ground. It’s a hell of a long way. I will myself to carry on, to hold on for as long as I can. But the palms of my hands are slippery with sweat and terror has finally set in. 
Oh, shit… 
Oh, SHIIIIIIT!
I have no choice but to succumb. I let go and embrace the fall. 
The floor comes up to meet me fast, but the impact never comes. The rope and harness do their jobs and keep me safe from harm. Above me, I hear the rumble of the auto-belay as it lowers me to the bottom. The descent takes mere seconds, but still I whisper a silent prayer — to who or what, I don’t know. 
“Please don’t break. Please don’t break. Let me get down safely.” 
And then my feet touch solid ground and I feel like a character in a superhero movie; all I’m missing is a scarlet cape. 
My whole body thrums with adrenaline, and my heart threatens to pound out of my chest. 
I turn and climb again. 

Adrenaline is fucking amazing! 

Adrenaline, also known as epinephrine, is both a hormone and a medication that works to regulate visceral functions. It plays an essential role in our fight-or-freeze response by basically dialling specific bodily functions up to eleven, such as: increasing blood flow to the heart and muscles, influencing our pupil dilation, and even affecting blood sugar levels. (Thanks, Wikipedia.) 

When you experience a significant amount of stress, your body releases adrenaline to help you manage it. It helps you focus so you can deal with the situation. It provides a cover or distraction for any pain you might be feeling so you can cope with it. Your body knows when you are feeling a heightened sense of emotion and does whatever it can to shield you from harm. 

I’m not a doctor, or a psychologist, or even a scientist. I’m a Horror writer, mostly. I cannot speak in detail about the full effects of adrenaline, or even explain exactly how it works, but I know what it does to my mind and body. And I love it.

I was forty-one the first time I went up an indoor climbing wall. My first thoughts were, “Oh, this isn’t as hard as I thought it would be,” followed by, “This is exciting!” and “Wow, I’m really high up…” and immediately after that came The Wobbles. My entire body started vibrating like I was being shocked with a low-level electric pulse. My legs trembled. My arms shook. My fingers simply stopped working. Before I could fight it or get my feelings under control, I experienced what I can only describe as an emotional power cut. I understand now that this was a freeze response — an automatic and involuntary response to a threat. In a split second, my brain had decided that freezing, rather than trying to fight or run away, was the best way to survive what was happening. Unfortunately, when you’re balanced on a ledge a long way from the ground, this is a rather unhelpful response.

When I was a kid, I had a toy called a wall climber. Made of rubber, it had sticky hands and feet. The idea was to throw it at a wall or window and it would “climb” down in a sort of rolling backflip. Eventually, as it picked up more cat-hair and carpet fluff, it lost its stickiness. It would hang for a moment, as each pad peeled away, before dropping ungracefully like a dead fly to the floor. 

And that was how my first indoor rock climb ended. Good job I was wearing a harness. 

The Wobbles didn’t stop when I got to the ground, but weirdly, I didn’t feel scared. No, I was more exhilarated, excited, and rather damn impressed with myself for doing something I didn’t know I could. I’ve always loved things that terrified me physically, like rollercoasters, gravitrons and drop slides, but this felt different and new. I was thrumming with energy as if I’d gained a really awesome Power-Up just like Sonic the Hedgehog collects gold rings. 

Like I said, I’m a Horror writer, so I know a thing or two about fear, or at least I thought I did. I realise now that it comes in many forms and doesn’t always manifest as dramatically as the movies might have you believe. I’ve experienced genuine fear quite a few times in my life, with a couple of those times feeling like it was the end for me. Oddly, those events didn’t cause my heart to pound or my whole life to flash before my eyes. No, it was in those moments that everything simply… stopped. 

Despite building my career on manipulating words, I could never find the right ones to describe those emotions. How rubbish does it sound to say that in the moments before your apparent impending demise, there is no great fanfare or affirmation of your successes; your mind grows small, and you simply cease to be you. How boring. How illogical. No one would read that. We need fear in our fiction to be visceral, perhaps even violent, or frantic. We need to feel confronted by the tension, to feel our hysteria rise with the threat. 

Sometimes, that is exactly how it happens; the body and brain work together to emit a resounding Luke Skywalker, “Nooooooo!” and to fight back the terror that overcomes them. But a fear response, unlike laughter, is not a universal language. 

I think one of the best depictions of PTSD in the movies comes from one of my long-time personal favourites, ALIENS (1986). Ripley’s trauma shows up in sweat-coated nightmares and sudden, vivid flashbacks, punctuated with the banality of carrying on with her life as best she can. She smokes a lot and drinks too much coffee, and spends most of her time talking to her cat rather than people, and (aside from the smoking­–I quit almost 20 years ago) that was pretty much me too. What works for some didn’t work for me, and the first therapist I saw was so desperately wrong a fit for me they set my healing journey back by months. During everything, it seemed easier to not talk about it. Not think about it. To compartmentalise it as much as possible, take the meds and just Carry On. 

It was quite easy to stuff those memories into a box and shut the lid. To stay busy and focused on work. Although my experiences had stripped a hell of a lot of creativity out of me, I could still do well in my job and do a damn good impression of a functioning human being. Until I couldn’t. 

Fight. Flight… Freeze.

I don’t really remember when it first happened, that sensation that everything had ground to a sudden halt, and I was merely outwardly observing myself, moving in excruciatingly slow motion. That “power cut” I felt when I first climbed, my body shutting down. Suddenly, it was happening when I was doing my shopping. In the shower. While driving my car. It was not only terrifying, it was also downright dangerous. My GP explained it was a survival response. My poor, battered brain, that I thought had been doing quite well until now, believed it needed to protect me from any further harm, and so it was perceiving everything, everywhere, all at once, as a danger. Except, rather than flooding me with adrenaline to get me the hell away from the threat, it was making me play possum at the most inconvenient moments. 

People describe the symptoms of panic attacks in various ways. Most commonly, they have an elevated heart-rate and/or a tight chest, sweaty palms or feeling lightheaded, a dry mouth or shortness of breath. Yes, all of these things are down to our old friend adrenaline again, flooding our bodies with a fear response and getting us ready to fight or flee. A panic attack happens when this response is triggered, but there is no danger about to happen. Thus, a person can experience these symptoms in apparently stress-free situations, such as watching daytime television or while doing their grocery shop. 

I’ve had panic attacks before, and I knew what they felt like. This was not that. Was it?

The common denominator across all panic attacks is: a strong feeling of impending dread, danger or foreboding.

“How did you feel when it happened?” my GP asked.
“Like I was going to die, and there was nothing I could do about it,” I replied.
“And what did you do? How did you make it stop?”
“Well…”

At this point you’re probably thinking, “Hey, T… I thought you said this was going to be about Horror?” 

Yes. It is. 

“So where’s the Horror?” 

Funny thing about PTSD is that along with putting you in a state of what the psychologists call “hyperarousal” (which, contrary to how it might sound, is not about feeling really horny, but is a way to describe your body being constantly on high alert) it also dulls the parts of yourself that experience joy and excitement. Everything becomes very grey, dull, and boring; a bit like a damp February afternoon in Middlesbrough with fuck-all to look forward to and it’s always cold. (Apologies to my lovely Northern England friends. I spent 8 years living there after university, and my memories of the place ain’t so sweet. The Levellers sang it best with ‘Hope Street’.) When everything is boring, everything is boring. Literally nothing can bring even a spark of interest and concentrating on anything for any amount of time (even things you usually love doing) is incredibly difficult. 

When you’re a writer by trade, that’s not a good thing. Goodbye words, hello writer’s block! (To any fellow writers reading this, I hope you never know that great disturbance in the Force, the pain it can inflict on a creative mind.) 

The meds weren’t working. Talking wasn’t working. Time was marching on, but I wasn’t feeling any better. In fact, I was feeling much worse. I couldn’t make my brain work how I wanted and needed. I had no choice but to quit my job, and my creative thinking was completely blocked. I was resentful and angry and a very difficult person to be around, so I stopped being around people as much as possible. I felt so stupid and useless all the time; sometimes wondering if it would be better to give up and other times furious at myself for even considering such a thing. 

That day when my GP asked me how I pulled myself out of the “impending doom” feeling, I wasn’t sure how to tell her that, frankly, I got so fucking angry at the thought that this was it for me, that I had no more time left to do all the millions of things I still wanted to do, that rage seemed to reboot my brain and somehow I could keep going. I felt that spark of being alive again. Just like when I conquered a climbing wall. 

If you’re a fan of Star Wars (I’m not, but my kid is, so we’ve been rewatching them recently, hence all the references) you’ll probably remember Yoda’s wise words to Luke:  

“Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.” All well and good, but what Yoda didn’t tell us, and John Lydon did, “Anger is an energy.” 

Anger, like fear, is also an adrenaline booster. It gives us that hit-the-NOS-boost we need to get the fuck on with things, get the fuck away from things, or get really fucking scary, so things leave us alone. Anger can be really, really powerful, and can make you feel like you’re beating the awful shit that’s being sent your way, but it’s also extremely destructive. Like NOS, it’s only good for short, controlled bursts. Use it too much and you’ll burn out your engine. As I mentioned earlier: Horror … gives us space to feel uncomfortable but know we’re still in the driving seat. It lets us let go while still staying in control. 

In a time of great uncertainty and emotional upheaval, I needed to find a way to maintain control over my fluctuating moods while unpacking everything that had happened to me. Finding space to process the past while forging a new future. Rage would not be the power I needed, especially not if I wanted to keep my friends and family rather than alienating everyone. 

To paraphrase a popular 90s movie quote: “I chose not to choose rage. Who needs rage when you have Horror?”

Despite everything being, to put it mildly, A Bit Shit, I could still find the energy for three (very influential as it turns out) things: going for walks in nature, having hot bubble baths, and watching movies / TV shows–although these often had to be watched in short bursts, over time, and most often in the bath. (Rather than seeing this as a bad thing, it was probably the most ideal combination my poor, battered brain could offer me.) 

Most people, when faced with something uncomfortable, will reach for the things that are familiar and comforting. It’s logical and comes from our brains knowing exactly what it is it wants and needs: a tried and tested method that will make us feel good. Sometimes that’s things like using drugs or alcohol. If that works for you, it’s not for me to judge. It might also be listening to a certain kind of music, or reading a favourite book. Whatever it is, it will be something we know is 100 percent guaranteed to bring us out of the funk we’re in. For me, that’s creepy, clever, middling-on-the gore, psychological or emotional Horror-slash-Thrillers with a nice dose of Big Bad Monsters and/or a sci-fi twist—bonus points for humour too. My preference lies in things that can’t easily be pigeonholed, or that straddle genres in interesting ways. 

You want a list? Okay, I’ve included one at the end of this essay. Take a peek if you want. I’ll wait… 

I am fully aware that some of my very favourite Horror movies are not traditionally considered part of the Horror genre at all. Also, I can write a separate essay on each of them explaining why they are Horror. Horror has a special relationship with those who consume it, primarily using emotion to illicit reaction. It can be confronting while showing us where the boundaries are. It awakens hidden fears and desires and is often the most unsettling when it imagines danger in “safe” places. For me, all of my favourites do exactly that, and that’s what makes them Horror. (And if we’re talking about movies that elevate your pulse rate, my Apple Watch tells me that PHONE BOOTH is the one that throws it right off the charts!) 

It was THE MIDNIGHT CLUB on Netflix that got things rolling first. When I read that the Guinness Book of World Records recognised the premiere episode as having the most jump scares in a single TV episode (twenty-one to be exact) I knew I had to watch it. PTSD makes you jumpy, usually when you don’t expect it. It’s a pisser as you can go from being perfectly fine to a gibbering mess in moments just because someone slammed a cupboard door. I wanted to know what would happen if I did expect it. 

What happened? A great deal of hysterical laughter happened. 

It turns out that the controlled adrenaline burst was absolutely what I needed, and suddenly my brain wanted more. Over a period of roughly six months, before and after my surgery, I watched as much Horror as I could, starting with my comfort faves, and moving on to some of the really gnarly stuff which I usually avoid because I find it boring. In my Bad Brain times though, gnarly slashers and extreme body horror were the tonic that helped (although I still can’t deal with finger-breaking scenes. What even is that all about?!) The more blood, the more gore, the better! I couldn’t face looking in the mirror at the aftermath of my dental surgery, but I could happily chow down popcorn to gory cosmetic body modification (CRIMES OF THE FUTURE), someone shoving a metal rod in their thigh (TETSUO: THE IRON MAN) or even an eyeball being sliced in two (UN CHIEN ANDALOU). I set aside some time every day to watch something my loving grandma would describe as “unpleasant” and slowly… slowly… my brain came back online. And I started writing again.

I wrote a blog post in January entitled, “Bite-size chunks of positivity” It was about searching for the positive in amongst the shit, even though I was really struggling to find it. 

It can be hard to get back into the swing of things that used to be so easy but have now become difficult. Hard to reclaim who we are after we have lost a part of ourselves. I spent a lot of time feeling sad and angry about what I’d lost, and the worst part of that was feeling like I couldn’t write anymore. I felt like something that really made me who I am had been taken away, and it terrified me. Especially as I was no longer sure about who I was. Giving myself that tiniest nudge to just scribble down a few thoughts and ideas, or make goals that mean I have to think beyond the immediate and believe in a future, has helped my brain feel so relieved. I know now a lot of the loss and despair was the trauma talking, and while that’s okay, being able to see what lay beyond that was important too. 

When you’ve been through a terrible situation where you felt like you had no control, Horror can give that back to you. Real trauma is so much more complicated than fictional trauma, but in a controlled setting, we can  process our fear, trauma, and anger in ways that can be therapeutic. A friend who is also a counsellor suggested I was using Horror as a form of exposure therapy; the more gore I watched, the less sensitised I became to real-life scary stimulus. Sure, I still jumped when someone slammed a cupboard door, but my reaction and the after-effects had far less negative impact. 

Remember that flood of adrenaline hormone your body releases when you experience a threat? What I forgot to mention is when the threat is over, the parasympathetic nervous system kicks in, sending a range of calming hormones to the brain to help you feel safe and relaxed. (It’s also one reason some people need to sleep a lot after a traumatic event.) This helps regulate your emotions and ensure you don’t remain in an elevated fight/flight state. For some people, it’s the come-down that is the addictive bit. The warm, fuzzy feelings of being safe, of the monster being banished once more. 

If you were expecting some grand conclusion where I explain exactly why Horror helped me, I’m sorry, but I’m going to disappoint you. I don’t really know other than to assume that giving myself permission to become immersed in the darkest of fictions helped me to see the light present in my real life. Even when that light was about as bright as a 99-cent pen-torch from an op-shop bargain bin, it was still there. I just had to find the best way to revive it. 

Ripley, my idol, overcame her trauma by returning to LV-426 to confront her greatest fear. She strapped herself into a P-5000 Powerloader, said that iconic I’m-done-with-this-bullshit line, “Get away from her, you bitch!” and threw the Alien Queen out of the airlock. She fucking won!

I don’t have a Powerloader, and I suspect I’d get into trouble if I started throwing people out of airlocks—no matter how awful they might be—but in my head, in the creative part of me that was important, that’s exactly what I did. The things that should be terrifying ultimately became empowering. Despite how much to the contrary it might seem, Horror heals. 

To finish, I think John Wick said it best. Hopefully, now I’m writing again, it’s true for me too:

“People keep asking if I’m back, and I haven’t really had an answer. But now, yeah! I’m thinking I’m back!”


T.L.Wood’s Top Comfort “Horror” watchlist includes (but is not limited to):

  • Alien / Aliens (of course!) 
  • Jacob’s Ladder
  • Flatliners
  • Pitch Black
  • Last Night in Soho 
  • The New Mutants
  • Near Dark
  • The Lost Boys
  • Blood Red Sky
  • Fright Night (the remake, sorry not sorry)
  • Nightbreed
  • Stir of Echoes
  • Get Out
  • An American Werewolf in London
  • Dog Soldiers
  • Saw
  • Signs 
  • 10 Cloverfield Lane
  • 12 Monkeys
  • Donnie Darko
  • What Lies Beneath
  • The Eternal Sunshine of the Spotless Mind 
  • Night of the Hunter 
  • Children of Men 
  • Phone Booth 
  • Moon
  • The Mike Flannigan Netflix collection (I have deliberately excluded The Fall of the House of Usher as I found it very weak):           
    Midnight Mass
    The Haunting of Hill House 
    The Haunting of Bly Manner 
    The Midnight Club

Healing

I don’t feel very well today,

But if you asked me what’s wrong, I’m not sure I could say. 

My mind is dim, but my body’s on fire,

My thoughts are chaotic, strung out with barbed wire. 

My concentration is… ooh, what’s that?!

I feel like my insides have been all squashed flat, 

And when I try to spell it out, all the words come tumbling back in doubt. 

No, I don’t feel very well today, 

But as strange as it seems, I know come what may,

Tomorrow will be different, a bright fresh start.

To stop. Take a moment. Count the beats of my heart. 

Feel the rhythm of my living that pounds away,

That drives me through each brand new day, 

That takes my hand and whispers… hey, it’s okay

To not feel very well today. 

That rest is good and necessary, 

That self-care and self-love are equally very

Important to keep that heart-fire burning,

To keep the love inside you turning,

To dream and desire, to know you are yearning

For more, yet more. 

To heal, and to feel,

Well…

In Blood

New story? New story! It’s been a while.


Content warning: includes language that talks about sex and revenge / violence and teen pregnancy.


You are ten years old when the first one slithers down your leg while you’re taking a shower before bed. You don’t know what it is at first. You watch it curiously, eyes half-closed, as shampoo suds froth on your forehead. It slides past your kneecap like a scarlet slug and plops onto the white fibreglass base. Slowly… Slowly… It swirls in the water, then disappears down the drain. 

You put your fingers to your private place and explore inside; pull them out to find them stained sticky red. You watch the warm liquid trickle down your wrist, and you scream, and you scream and you…

You are eleven when the vomiting begins. You curl up in bed with a blue plastic bucket, unable to keep anything inside you. There’s no room, of course, for food, that is. For the space is already taken up by the monster writhing around in your belly. You can feel it clawing and scratching and scrabbling to get out from the wound between your legs. 

The school nurse is useless, unsympathetic, says there’s not much she can do.

Your mother is upset and refuses to talk about it, says she doesn’t have the words to explain. She gives you a book filled with strange images, and words you don’t understand. Your sister, Ella, tells you it’s normal, it’s part of who you are, and reassures you she feels it too. It’s part of growing older, she says, but you don’t want to grow old, yet.

In the evening, she brings you a giant bag of fake-Cheetos, the dime store brand that you like. You put each one to your lips to suck the flavoured dust, and your mouth is ringed with orange. Later, you’ll remember that orange ring, transferred to other places. A perfect sunset circle streaked on fresh white pillowcases. 

You are twelve when Ella sneaks you the pills; small and pink and sweet. You must take them at exactly the same time every day or else the world will surely end. She doesn’t say it quite like this, but you know it’s true. You must keep them hidden from everyone else, a secret only you and her share. Momma and Pappy, and the lord God Himself, will certainly not approve. 

You crunch them with your Weetabix and swill them down with your juice (no pulp; you hate the bits). You feel something clogging up your throat and you cough a brown globule into your hands. You squelch it in your fist and Momma dry- heaves in disgust. She tells you not to play with your food. 

You wipe your palm on the tablecloth and it leaves a smear like a hateful memory. A mark of shame, of sins you can’t cleanse. Things you did, and things you saw. Unwanted and forever repressed.  

You are thirteen when you find Ella slumped in the bath, half-naked and cold and weak. She is so much smaller than you thought she was. The three years between you both felt so much greater. There are things in the water that you don’t recognise, slender and sharp and red. And something else, something… No. You will not look. Her skin glistens with sweat, a rainbow sheen, but all you can see is the pain. 

You shake her and shout her name in her ear, and she mumbles a groggy reply. You slap her cheek hard with an open hand, just like you’ve seen in the movies, and she says a word that you know not to repeat. Slowly, gingerly, she pulls a towel from the rail, rolls it up and puts it to that dark place. Whatever this was, you know never to speak of it, there are some things that can’t be put into words. But you hear her sobbing every night through the wall you both share, and you wish you knew how to comfort her. Help her stop.

You are fourteen when… When… It happens. You’re just fooling around. You’re young and in love. At least, you think you are? He says you are, and he must be right. He is so much older than you, and he knows about things that you don’t. But you let your guard down. You let the monster in.

No. You don’t want to talk about that. 

Fourteen and the monster makes you swell. There is nausea, like before, but the pain seems to stop. Then comes a steady parade of dour doughy faces, of instruments and uncomfortable tests. Of magic wands drawn across your skin that beam images onto the TV. 

Ella comes with you, holding your hand in hers, keeping the worst of it at bay. She fields question after question while you can’t speak, rendered mute by confusion and shame. They say things like it is a miracle, a sign of God’s will and it’s a blessing and a gift. They say you are old enough to consent, but you don’t understand what that means.

All you do know is you forgot to take the pink pills and your favourite t-shirt doesn’t fit you anymore; the peach coloured one with Rainbow Dash and Apple Blossom. You put it on, and their features stretch and distort, and somehow this upsets you more than any question you’ve been asked or anything you’d been told to do. You don’t care about the insults strangers spit at you in the street, or the names you are called at school. No, they upset Ella more than you. She says she’s going to help you, somehow, that she should have helped you long before. 

You hear her arguing that night with Momma and Pappy, something fragile crashes to the floor. Momma says what the Hell can we do? She should have known better. Should have kept her legs closed! Ella screams and Pappy yells, and you want to run to them, to tell them to stop, but instead you curl up very small and rock… Rock… Squeeze your eyes closed… Go away to your secret place… 

It is dark when you come back, and the house is quiet. The next morning, Momma tells you Ella has gone. You check her room, and the wardrobe is empty, the bed is stripped and bare. But underneath the mattress, she has left you something. Not a miracle or a blessing or anything from God, no. This is a genuine gift. 

Fourteen… 

Fourteen feels like it lasts forever, and you have no say in what you can do. Choices have been made for you, decisions you can’t contest. Your whole life dictated by wizened old men with skin like uncooked bread, their judgement and distain croaked and crowed with features like melted wax. Momma and Pappy keep you home. They bring you everything you need, but never give you anything you want. 

You don’t know what is going to happen, only that the monster wants out. You question; is this why Ella left you a gift? To aid with the monster’s choice. Surely not.

You suck orange dust from the dime-store snacks and wonder why it suddenly feels like your middle is being squeezed in a vice, and why your legs feel warm and wet. 

Fifteen, you are fifteen. You put her to your breast, and she wriggles and squirms, and you are delighted by how it feels. You know you would do anything, anything, in the world to keep her safe from harm. You call her Hope, and you hold her on your hip, and you brush her hair with your fingers as she dreams. 

You lie together in the same bed, and you wonder… 

Wonder… 

Wonder what your life could have been like.  

You are sixteen when the monster comes calling again, full of apologies and regret. You lie there, eyes closed, in your secret place, remembering Ella’s gift. 

Sixteen, and you wait until the early hours when the sky is velvet black.

Sixteen, and you wrap Hope in a blanket and kiss her tenderly on the head. 

Pappy is snoring like a freight train when you steal the keys to his truck. You know you’re going to get into so much trouble, but it’s time to take your power back. You must do it for yourself. For Ella. For Hope. For everyone born with the capacity to carry life inside them. And for those, like you, who found that life thrust upon them, told they must weather the consequences, no matter what and how they occurred. Those who were spurned, scorned, shunned and enslaved. Innocent lives reduced to a statistic. Sex, a cautionary tale. While dough-faced men pat themselves on the back, celebrating a cruel job well done. 

You stand in silence on the manicured grass, scrape your nails down the painted lawn sign. You read his name emblazed underneath a headshot; a stuffed suit with a shit-eating smile. Ella’s gift is clutched tight in your fist. Is this how it feels… God’s will? 

In the darkness you stand like an angel of wrath, warm bodies unsuspecting while you watch them. You put a hand on his chest and lean down low, your rage contained in a whisper. 

“For Hope.”

His eyes snap open at the sound and—

Sixteen, and you slay the monster… The real monster… Not the one that you thought lived deep in your stomach or the imaginary one under your bed. And there is red, red, so much red… 

You watch the warm liquid trickle down your wrist, and you smile, 

and you smile,

you smile.

Marian

This is a work of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

This story is copyright. Except for the purpose of fair review, no part may be stored or transmitted in any form or by any means, electronic or mechanical, including recording or storage in any information retrieval system, without permission in writing from the publishers.

First published in SEEDS, T. Wood – Wild Wood Books, 2021


It wasn’t the clack of her designer heels drumming the hardwood floor that alerted Marian to her boss’ presence, but the unusual, slightly musky aroma that always heralded her arrival. She could never place exactly what it was; maybe the scent of the hand cream Phyllis was always rubbing into her palms, or perhaps the remnants of an expensive, favourite perfume bought so many years ago that it had degraded and expired. Whatever it was, it made her sinuses ache like a rotten tooth might throb with decay. 

The smell grew stronger as Phyllis entered the tiny office and paused in front of Marian’s desk.

“How are you getting on?” she asked. 

Marian gave a despondent wave at the cardboard files piled around her. “There’s still a heck of a lot to do.”

Phyllis tutted in commiseration. “These last-minute accounts always come flooding in before the new tax year begins. I don’t know why people never learn.” 

Marian grimaced. It wasn’t simply the clients who left things to the last minute; Phyllis did a lot of that herself. Fourteen years in this role and not much had improved from the very first year she had begun. Names and faces and roles had changed, as people had come and gone, but the systemic disorganisation stayed the same. Despite that, the job was decent, and the pay was satisfactory. 

Better the devil you know, Marian thought, than trying to find something new at my age. 

“Are you doing anything fun this weekend?” Phyllis asked.

“I doubt it,” she replied. 

Phyllis cleared her throat and perched gingerly on the only available free space on the desk. Marian knew immediately what was coming. 

“Rupert is back in the country with his family—that’s my eldest son, you know—and Patricia, his eldest, is going to study Anthropology at the university here. Can you imagine? Anyway, I thought we might all go out for dinner…”

“Do you want me to stay later?” 

Phyllis let out a sigh of relief. “Would you, Marian? I’d appreciate that a great deal. If you can get the Avalon account in order, it would help us out a lot.” 

Marian checked her wristwatch and chewed the inside of her lip. There were three invoice-stuffed box files set aside for Avalon. It meant another couple of hours of work, at least. 

She looked up at Phyllis’s hopeful face. Her smell was almost overpowering.

“Sure, I can do that. But you owe me,” she said with a forced, jovial smile, trying to mask her frustration.

“Thank you, Marian,” Phyllis said, rising and straightening her blouse. “You’ll be paid overtime, of course!” 

Like that’ll ever happen, Marian thought, but she kept smiling until her cheeks began to hurt. 

Phyllis said goodbye and swept out of the office, leaving her scent to linger. Marian switched on her desktop fan and ushered the cloying odour out the door. She tapped a message on her phone to George, her husband, telling him she would be home late, then scrolled through her favourite playlist and turned up the volume full blast. The small speaker blared electro-industrial music around the beige, bland office, and she sang along as the lyrics began. What would Phyllis think?she wondered. A respectable accountant in a dress suit and blonde bob, rocking out to the goth bands of her youth. 

It was past nine o’clock when she rubbed the crick out of her neck and stretched the tension from her shoulders. If she locked up now, she could catch the 9:20 bus home. If she missed that, it would be a half-hour walk. 

She’d dealt with the Avalon account as best as she could, but it had raised questions only Phyllis could answer. She powered down her laptop and tidied her desk. The rest was a job for Future Marian to deal with on Monday morning. 

The sky was dark and the air thick with drizzle as she stepped out into the alley. The premises were a far cry from the image used on the firm’s website, one that depicted an impressive redbrick facade. With the bulk of their clients finding them online, a classy website and PO Box was all that was needed. The offices themselves were above a Chinese takeaway, and the delicious smell of fresh noodles and stir-fried meat made her stomach grumble in yearning. 

No time for that if she wanted to catch the bus. She locked the door and slipped the keys into her bag. 

The food smells faded, replaced by something putrid; an acrid mixture like stale urine mixed with rotten tomatoes. She turned to the dumpster at the back of the alley, expecting to see its lid left open, but it was firmly closed. Besides, the stench seemed to emanate from somewhere behind her. Somewhere near her right shoulder…

The leather straps cut into the top of her arm as her handbag was yanked from her grasp. She yelped and tried to stop it, catching a strap in one hand. The smell was so powerful it made her eyes water, and she could barely see her assailant through her tears. It was a man, she could determine that much; early twenties, slightly built, shaved head, and matching chin. Jeans, T-shirt, casual but plain. A regular, normal guy. 

“Give me the fucking bag!” he demanded. “Come on, you stupid bitch. I’ve got a knife!” 

She had no reason to doubt him, but despite her fear, she couldn’t bear to let go. The bag contained many irreplaceable items that she always carried around with her. Photos, notes, little trinkets and favours, even her powder compact had a story. She couldn’t let this foul-smelling thief get his hands all over them. Things he would tip into the filthy gutter as he searched for her cash and phone. Her shock and fear turned to anger. Indignation that he’d thought she was an easy mark. 

“No! Leave me alone!” she yelled back at him and wrenched the bag from his hands. The force made him stumble. She was far stronger than he expected, and he almost slipped on the damp concrete floor. He rallied and came back swinging, burying his fist into her stomach. She groaned and recoiled in agony, but the pain made her even angrier. 

She dropped the bag to the floor and grabbed his throat in her fist, forcing him back against the wall. He squirmed and scrabbled, desperate to get free, as she curled her fingers on either side of his trachea and squeezed as hard as she could. His face flushed purple and his eyeballs bulged as he fought for every breath.

“How dare you,” she hissed at him, her arm locked and outstretched, his toes barely grazing the floor. “How very fucking dare you!” 


The bus had long gone by the time she’d reached the stop. She’d had little choice but to take a sodden walk home. She heard raised voices as she put her key in the lock. Emma and Paul, her two teenaged children, were arguing at the other end of the house. George was fast asleep in front of the TV, mouth agape and snoring, oblivious to the aggravation. She hung her coat and handbag on a hook by the door, kicked off her shoes and called out a greeting. No one bothered to reply. 

There was a pile of used dishes dumped in the kitchen sink, the remnants of a frozen pizza abandoned on the hob. An open bottle of cola was going flat on the worktop, two dirty glasses by its side. She sighed and began loading plates into the dishwasher. George ambled into the kitchen, yawning and wiping drool from his chin. She leaned in towards him and he kissed her on the cheek.

“Hello, love,” he said sleepily. “You’re late back.”

“I texted you to let you know.”

“You did, even so, it’s…” he glanced at the kitchen clock, “almost half-past ten. Have you been working all this time?” 

She opened her mouth to reply, but Paul cut her off before she could answer.

“Mom! Emma has been using my X-Box without asking and she’s deleted all of my saved games!”

“It’s not just yours!” Emma shouted from the hallway. “It’s both of ours! Mum, tell him!” 

“Kids, please,” George intervened. “Your mum’s had a long day. Leave her alone.” 

 “Yes, I’ve had a very long day and you two need to get in here and clean up this mess. I want a shower and I want to go to bed.”

“What about dinner?” George asked and picked up the cold pizza tray. “You want to heat this in the microwave?” 

Marian baulked as her stomach lurched. “No. I’m okay. I’m not hungry.”

“You’ve already eaten?” 

“I… I’m just not hungry. Emma, get your butt in here and help your brother! Any more arguing and the X-Box goes on eBay.” 

She padded down the hall to the bathroom, closed the door and undressed. A livid, purple bruise blossomed beneath her ribcage, and she grimaced both in pain and at the memory. She stripped out of her blouse and saw a dark stain on the cuff, tutted and ran it under the cold tap. 


Sara pressed the button with a pink polished fingernail and the espresso machine gurgled into life. The smell of finely ground and over-priced organic coffee wafted through the impeccable kitchen. 

“So, how are you?” Sara asked, placing a full mug on the breakfast bar. “It feels like weeks since I’ve last seen you.”

Marian took a careful sip before replying. The coffee was strong and very hot. “I think it has been weeks. I’ve been so busy lately. Work, home, the kids, you know? Well, not the kids.” 

Sara was, as she had once put it, ‘deliciously child and husband-free, and absolutely zero regrets.’ Marian wondered if that was why, at fifty-two and almost ten years older than her, her friend still frequently looked ten years younger. Far fewer wrinkles for a start. Not a hint of any grey hairs. 

“Can I ask you a personal question?” 

Sara peered at her over the top of her mug. “Of course you can, darling. Ask away.” 

“How old were you when you started going through the change?”

“The change? You mean menopause?”

“Yes.”

“It’s not a dirty word you know, darling.”

“I know. Sorry. Silly of me.”

Sara put down her mug and knitted her fingers in her lap. “I was forty-six when I first noticed it. My God, I was so tired and slow all the time, I felt like a bloody slug.” She chuckled. “I must have gone through seven or eight cups of coffee a day and I was still utterly exhausted. Then the insomnia hit around the same time and I was lucky if I got four hours of good sleep a night. I think the hot flashes were a comfort, to be honest; I’d convinced myself there must be something terribly wrong with me, that maybe I was dying, but my doctor said it was all perfectly normal. 

“Why do you ask? You’re not there already, are you? You’re only, what? Forty-one?”

“Forty-three,” Marian corrected. “I’m not sure. I definitely feel different.”

“That seems rather early, but then I knew a girl at university who started in her twenties. Mother Nature can be so unkind to some of us. So, what is it? Irregular periods? Boobs hurting more? Oh no, you’re not leaking when you sneeze, are you? ‘Squat, not bend,’ is what I tell all my lady friends. You want to keep your pelvic floor in good shape.”

“No. This is more…” Marian paused, unsure how much to admit. “Well, hair changes, for one.”

“Going grey, you mean?”

“Hair in unusual places, mostly. And a lot of it.”

Sara sipped coffee and nodded sagely. “That’s normal. You should see the length of the ones I pluck out of my chin. It’s like a magician’s handkerchief trick. They just keep on coming!”

“Umm, I can smell things a lot more strongly than I used to. Perfume. Cutlery. People smell different.”

“Also, not unusual. That’s hormones for you.”

“I suppose. But I get so angry sometimes. I mean, irrationally so. Little things set me off and I can’t control myself. And then after, it’s like I can’t even remember what got me so worked up.”

Sara reached out and patted her arm. “Darling, you have to think of this as a second puberty. I know you probably don’t want to hear this, but your body is going through some massive changes and not all of them are fun. But think of the freedom you’ll have afterwards.” She wriggled in her seat and grew suddenly animated. “Do you know the best thing about being a woman over forty, Marian?”

“Umm… Better life stability?”

“No! You have no more fucks left to give!” Marian laughed despite herself. It was hard to imagine Sara ever giving any fucks unless she chose to. 

“You can be yourself, Marian,” Sara continued. “Unapologetically. No more squeezing yourself into boxes that don’t fit that someone else has built for you. No more caring if you’re too fat or too thin or if you’re ‘pretty’ enough. You can stop doing all that pointless, time-consuming grooming that society says you should, just so you can be seen as ‘desirable’. Fuck it, I say! Let it all hang out and who cares what anyone else thinks!” Sara pointed at her excitedly. “Let me tell you, darling, women over forty are terrifying. In a good way! We are fierce and vibrant, and we don’t worry about taking up space. Embrace that! Believe me, it’s refreshing.

“Not to mention, sex is so much better when you don’t have to worry about pregnancy anymore.” She winked and Marian blushed. 

“I just have no frame of reference for this stuff.”

“What about your mother? When did she go through it?”

“I’ve no idea. My parents split up around that time and she took herself solo around the world on ‘a journey of self-discovery,’ as she called it.”

“Good for her,” Sara said, and raised her mug as if making a toast. “And what about Grandma?” 

“Similar sort of story. She left Grandpa on his own and went away to take care of her sick sister. I know it’s strange, but I don’t know what experiences they had.” 

“You’ve never talked about it?”

“No. We’re not that kind of family.”

Sara fiddled with her necklace absentmindedly. “Well, maybe it’s time you are. You never know, Mum might have some useful insights.” 


Marian stared at the words on her mobile, trying to make sense of what they said. She’d thought it best to try sending a text first. Her mother had a habit of manipulating telephone calls and steering the conversation how she wanted it. A text had seemed easier. More to the point. 

“Hi Mum. How are you? Sorry it’s been a while,” she’d typed. “I was wondering, can I talk to you about what you went through with the change? I think I might have started it myself.” 

She hadn’t expected such a speedy reply, and certainly not such an odd one. 

“Oh, dear. I’d hoped it would skip you.”

She’d replied straight away, “What do you mean?” 

Five minutes passed, but no response. With shaking hands, although she wasn’t sure why, she pulled up her mother’s number and pressed dial. The line rang and rang but remained unanswered. 

“Damn it! What are you playing at, Mum?”

“Call me, please,” she messaged back, before tucking the phone into a sports belt at her waist and pushing her headphones into her ears. It was a gorgeous and sunny afternoon. A run would help clear her mind.

She pulled on her sneakers, tied the laces tight and adjusted the hems of her leggings. The local park was only ten minutes away; she could take a brisk walk through suburbia and then run laps on the green. Five K to begin, maybe push it to ten if she still had something left in the tank. Her usual weekend exercise.

Lately, though, even ten K had felt easy. Her body felt stronger and more capable of being pushed to harder limits. She was curious just how long could she keep going. Before it felt even close to a challenge. 

She called out a goodbye to Emma and Paul and pulled the front door closed. All she had seen of George since she’d returned from Sara’s was his feet underneath the family SUV. He had grunted a half-hearted greeting and then sworn as he dropped his spanner. It had seemed best to leave him to it. 

Her walk had warmed her body up nicely by the time she reached the park gates. Surprisingly for such a lovely day, the green was almost empty. An older couple were walking together, and a young woman was doing timed sprints. She chose her favourite playlist on her phone, hit play, and began to run.

She was three laps down when she noticed him. A movement in the corner of her left eye.

He was running, not quite beside her, trying to match her pace. She was faster than he was with an easy rhythm, but him being so close made her wary. She sped up to increase the distance between them. He faltered for a second before doing the same, and she felt a nervous flutter in her stomach. As she ran, she scanned the park for other people. The older couple were over on the other side now, and the woman appeared to have left. She glanced to her side to see his mouth move and realised he was trying to talk to her. She gestured to her headphones and shook her head, not even breaking her stride. Even this didn’t dissuade him. 

He was younger than her, mid-thirties, she supposed. Stocky and broad-shouldered, with long, blonde hair scraped back into a messy topknot. He wore a black singlet and baggy shorts, both of which showed off his impressive physique. 

A gym rat, she guessed, from his bulging muscles. Biceps and quadriceps gained from lifting weights, not from running laps. Nonetheless, he was clearly a capable runner, and eager to make her acquaintance. 

A few meters from the gate, she slowed and stopped, hoping he would carry on without her. Instead, he stopped too and carried on talking, standing far closer than she was comfortable. She yanked the headphones from her ears, felt her body tremble with adrenaline. 

“Step back!” she ordered him.

He continued as if he hadn’t heard her. “—because your form is amazing and—” 

“I said, step back!” she repeated, holding out her arm. This time he reacted. 

“Woah, hold on. I was just…”

“I don’t care what you were doing. I was running and you got in my space. This park is massive, and you had no reason to do that. Now leave me alone and let me run in peace.”

“Jesus, lady. What’s wrong with you? I was complimenting you.”

“Yeah. I don’t need your compliments, thanks.”

She saw the change in his eyes, in his posture.

“Whatever. Fucking bitch.” He leaned forward and spat a glob of white foam. She watched as it arced, almost in slow motion, before coming to rest on her shoe. 

She couldn’t hear what it was he said after that over the shrill ringing that filled her ears. 

A red wave of rage rose and surged, filling her every muscle and sinew. Her heart boomed a heavy, hollow echo, deep inside her chest. She clenched her fists and tensed her jaw. All involuntary, uncontrollable reactions. Her skin felt taut, like a too-small jacket, restricting her every move. She longed to peel it off.

She could smell the stink of him filling the air, a heady mixture of musk and sweat. And something else, something rancid and overpowering. A scent that triggered startling emotions. Urges that she didn’t expect. 

“I really wish you hadn’t done that,” she growled, trying to keep her voice steady. There was no one else in the park now. Only him and her, alone. “I wish you’d just stepped back.” 


George and Paul had gone out to the hardware store by the time Marian returned home. Emma was engrossed in a teen drama on the TV and hardly bothered to acknowledge her presence. She hurried to the kitchen and flung open the fridge, ripping at the first packet she found. The cellophane tore and she bit into the contents; the juices dribbling down her chin. She sank to her knees and sprawled on the floor, chewing loudly, and groaning with pleasure. A noise from the doorway made her jump.

“Mum? Are you okay? Is that…?”

She realised, as if for the first time, what she was holding. Beefsteak. Bloody and completely raw, almost entirely devoured.

“Don’t worry, Emma,” she replied, her mouth crammed with chunks of unswallowed meat. “This happened when I was pregnant too. It’s just the change, you know? It’s just hormones.”


The alley by her office was cordoned off with yellow police tape when she arrived at work on Monday. Phyllis had texted to warn her, to tell her to use the back entrance through the takeaway. She held her breath as she walked; the stench of old oil made her feel sick. Phyllis greeted her at the door to the office. Her boss smelled even stronger than usual. 

“What happened out there?” Marian asked.

“Oh, it’s terrible. They found a body in the dumpster in the alley. The Sergeant said they’d probably been there all weekend. He wants us to make a statement in case we saw anything.” She paused, peering intently at Marian. “Did you see anything? When you left on Friday?”

“No. Nothing,” Marian lied, feeling the guilt rush to her cheeks. “So, what do they think? Drug addict? Homeless person? There’s a lot of both in this area.”

Phyllis’ face fell deadly serious. “They think it’s a murder.”

“A murder?” Marian put her handbag on the edge of her desk. “Gosh. What makes them think that?”

“Whoever it was, had been ripped to shreds. Deep cuts all over their face and neck. Their throat torn out as if by a wild animal. I saw fingers on the floor, bitten off at the knuckles. Black holes where their eyes should have been.” 

Marian squirmed uncomfortably. “How do you know all this?”

“I found the remains of them earlier this morning before I called it in. Anonymously, of course.”

“Oh, Phyllis! That must have been awful. Are you alright?”

“Of course I am. I’ve seen far worse.” 

“You’ve seen…” Marian trailed off as Phyllis took her hand in hers. 

“It’s okay, Marian. Whatever it was he did to you, I’m sure he deserved everything he got.”

“I don’t understand…” Marian began.

“Believe me, it took me by surprise too when it happened, but I can assure you, it gets better.”

“What gets better?” 

“The change, Marian! It happens to us all one way or another. Just for some of us, it’s a little more intense.” Phyllis stared at her. “Didn’t your mother talk to you about all this?”

Marian sighed. “No. She won’t even talk to me about it now.”

“Fourteen years you’ve been here, Marian, and I have loved every single moment of working with you. I suspected, of course, when I first met you. Your distinctive smell for a start.”

“My smell?” Marian parroted, incredulously. 

Phyllis smiled slowly and wafted a hand under her nose. “Breath in,” she said. Marian inhaled. There was that unmistakable musky aroma that she always noticed when Phyllis was around. Only now she recognised what it was. What it meant to her.

“Oh. You’re…” Marian began, and Phyllis nodded. 

“Come with me,” she said. “Let’s sit down together and have a nice cup of tea. It can be so difficult, going through this stage of life. Especially alone. I think it’s time someone told you the truth.” 

Bite-sized chunks of positivity

At the beginning of the year, much like a lot of other people I suspect, I made some resolutions. Small ones, that were attainable and non-stressful. More like mini-goals to be honest. The previous two years have been a bit of a challenge, to say the least. Last year I published a grand total of zero new stories, and this is the first year in five years I have nothing to put forward to be nominated for an award. That feels strange but also not completely unwelcome. As much as I would have preferred it to be via my own choice, I did need a break. So when it came to resolutions, I decided to keep things manageable and in bite-sized chunks. One of those little nibbles was to write a blog post at least once a month… I guess I’m just squeaking in there with that one! 

When I was trying to figure out what to write this blog post about, I found myself with lots of ideas but very little motivation. I wanted to write some essays again, maybe a short story or poem, but my brain is still a little unwell from everything that happened to it last year (TL/DR version: medical negligence via the dental profession, lots of pain, lots of trauma) and I am struggling to encourage it to “make the words good” right now. That will change, I am positive about it, but I do need to be kind to myself and be mindful of my limits. 

One thing I did find easy to do was get back into doing a Life Journal, which I actually started doing in 2020, and I credit it with keeping me grounded through the pandemic. In my Life Journal, I keep track of my moods, my sleep and my motivation levels. I set myself monthly goals and create bingo squares for certain skills. I permit myself to mess it up and be as rough and haphazard as I want to, so I don’t worry about keeping it neat and perfect. Perfection is the enemy of good, and in the past, I have been so anxious about “mucking it up” that I’ve ended up not writing anything. There are no rules for my Life Journal except one: check in every day. That check-in can be as simple as colouring a box to show how I am feeling and how much sleep I got the previous night, or it can be a long-form diary entry where I write and draw much more. Keeping it small and simple means I’m more likely to keep it up. And so far, for this month anyway, I have. 

It can be hard to get back into the swing of things that used to be so easy but have now become difficult. Hard to reclaim who we are after we have lost a part of ourselves. I spent a lot of time feeling sad and angry about what I’d lost, and the worst part of that was feeling like I couldn’t write anymore. I felt like something that really made me who I am had been taken away, and it terrified me. Especially as I was no longer sure about who I was. Giving myself that tiniest nudge to just scribble down a few thoughts and ideas, or make goals that mean I have to think beyond the immediate and believe in a future, has helped my brain feel so relieved. I know now a lot of the loss and despair was the trauma talking, and while that’s okay, being able to see what lay beyond that was important too. 

Although I haven’t written much, I have been keeping busy creatively in other ways. I discovered metal stamping last year and made a lot of cool bangles. I drew and painted (I even illustrated some book covers for other people), I decorated my writing room, I read a lot, walked even more, and took myself outside as much as I could. I’ve kept my body busy in the hope it would also exercise my mind, and I think that much is true. Something I did very recently, just this month, was to figure out how to make a pair of custom vampire dentures. It was a project I’d wanted to do for a while, and also helped me reclaim something from the trauma I went through. Also, they look fantastic!

My writing goals for 2024 are small and tentative. I really hope to finish Rabbit, and I have a few other shorts that have been buzzing around my brain for a while. I feel like it would be quite appropriate to put together a toothy horror collection, although I’m not sure how many people would actually be interested in that! (Although Little Teeth did get a very good reaction when it was released.) I’m not stressing about it though, in fact, I’m actually quite interested in seeing where things will lead me, even if that is not at all in the direction I was aiming for. If the past two years have taught me anything it’s to just keep going. I can stop, and I can (and should!) rest, but I won’t ever give up.

Here’s to the future, and hopefully a lot more “making the words good”!

A message to my future (present) self regarding the removal of all my adult teeth.

<Note: on the 9th November 2023 I had surgery to remove all my remaining adult teeth and replace them with dentures. This was due to the pain and trauma I had experienced over a period of 18 months at the hands of a dentist who removed a tooth in such a way that I experienced nerve damage, and carried out treatment on others that left me in so much pain they also had to be removed. The dentist then moved away from New Zealand, leaving me with some hefty dental bills, many other dental issues to resolve, and PTSD. I was subsequently let down by four other dentists before I eventually managed to find an amazing one who did his absolute best to fix all my issues. Unfortunately, it was too late, and the decision was made for a full plate clearance. I could write volumes about everything that has happened in 2022/2023, but I think it best not to dwell on that, and to round off the experience with this short, cathartic letter to myself.>

Dearest T,

You’re going to worry about this. A lot. Even when you don’t realise that you are, the thoughts will be buzzing around your brain almost constantly in the weeks running up to the surgery. You find out the date around six weeks before it is due to happen, which feels both far too long to wait and hardly any time at all. You’re in a lot of pain, especially in teeth that have had some recent (traumatic… failed…) work done. The only way to fix them is to take them out. The dentist asks you if you want to do it before the others, but you can’t face it then. Somehow it feels easier to just keep taking the painkillers like you have been for months, and know that the end is coming. 

You have a lot of email conversations with ACC who tell you they can’t pay for all of the surgery, the sedation and the dentures. You start a Givealittle page. You are completely blown away by the kindness of friends and strangers who raise over $2000 dollars so you can pay for your new teeth.

You cry a lot. But that’s not new. You’ve been crying a lot for a long time now. Just a few more weeks to go.

On the day of the surgery you feel worn out, mostly from lack of sleep and stress. The dentist, his assistant, and the anaesthetist are all truly lovely. They do everything they can to put you at ease. You explain you are more worried about the sedation than the procedure. They tell you that’s normal and to relax as much as possible. The anaesthetist puts the cannula in your arm and a pulse monitor on your finger. She adds the sedation medication and you can feel it flowing in your arm; cold and slightly painful, but it doesn’t last. She says, “you might be feeling some effects now,” and you can’t remember if you reply or not as suddenly the time has jumped and you’re aware of the dentist doing his job, but you don’t care in the slightest. You feel calm and relaxed and in no pain, and almost as soon as you realise you are in no pain it is time to get up as the procedure is over. 

The anaesthetist hands you two paracetamol and you dribble water all down yourself trying to take them, as you have no control over your jaw. You can feel the new dentures pressing on your gums. They feel huge and you’re not sure you can close your mouth properly. It doesn’t hurt much, but it does throb. You can feel your pulse in your non-existent teeth. Dave, your husband, drives you home. You lie on the sofa, too wired to rest, still in some sort of dazed state. You see yourself for the first time in the bathroom mirror, and you’re shocked at how swollen your face is. You don’t look like you. The teeth seem too big. You worry that you’ve made a mistake.

Week 1 you take so many painkillers you don’t remember most of what happens. You also take so many selfies, trying to get used to how you now look. You lie in the bath and smile at the camera and wonder who this person is on the screen. Your family say they can hardly see any difference, but to you, your reflection is alien. 

You see the dentist the day after the surgery so he can see how things are going. He asks you if you’re happy with how things look, and you tell him, to be honest, no. But everything is healing nicely and the dentures fit really well, so you have to trust that things will settle and improve. That you won’t feel this way forever. You feel cautiously optimistic, and relieved that the worst is over, but you’re also high a lot of the time, and thinking about anything is too hard. 

Week 2, the pain is different. It’s not like what you’ve been through in the last 18 months. It’s pain from a wound that is healing. It feels like it has an end. The dentures rub sore spots and ulcers, which drive you to distraction. It is normal, and you knew to expect it, but it’s difficult to endure. The dentist takes some of the plastic away, grinding it with a tool. It helps, but it’s still tiring. You feel sad, mostly. Exhausted. You question your choices and decisions. It’s hard to know what to eat, how to sleep. You can’t bear to look at your healing mouth, but you can feel hard lumps with your tongue. The dentist says it’s bone coming through. You choose to leave it as the gums might grow over it, the other option being to have it removed, and you can’t face that right now.

You have a call with your boss as you’ve decided to leave your job. She makes a comment on how you look and speak differently and you just laugh it off, but the words hit deep and it bothers you. Codeine is your friend still; it helps you sleep, helps you cope, helps you not lose your mind. The crying starts again.

Week 3 the bone is still coming through the gum. The dentist says it will be more comfortable to remove it, you agree, but you’re not quite prepared for the process. He uses bone cutters to remove the spurs. You get through the appointment and then fall apart. You can’t seem to control your moods. As always, the dentist is lovely and completely understands. But you’re tired of crying and feeling so weak. You wish you were stronger, more capable. 

A good friend reminds you of how much you’ve been through and the kindness you need to show yourself. Crying is not a weakness, they tell you, it is an honest expression of how you’re feeling. How you’re processing everything that has happened. You remind yourself of how you got through the worst of this last year, by reframing the situation. The events that led up to this decision are the result of someone else’s actions and mistakes. You have to think of it like a car accident, and the injuries are not your fault. You cannot control what has happened, but you can control how you go forwards now. 

You cut your hair and put on some makeup. You mess about with the clothes in your wardrobe. You take more selfies, and they seem better this time. The swelling has almost gone down. You look more like how you remember yourself, just with better teeth than you’ve ever had in your life. 

Week 4 and things are easing. You take less painkillers, and your gums are almost healed. You have a routine of washing and wearing the dentures, and you use denture paste to relieve the sore spots. You make a big bowl of pasta with grated cheese and you eat it while watching a comedy program. It is only after you’ve finished you realise you have eaten for the first time in the past few weeks without your whole focus being on eating. It still feels wrong sometimes, the dentures make some movements of your mouth unnatural and they often feel cumbersome and strange, but you’re getting more used to how they fit, and how you need to use the muscles of your jaw. 

You smile more and laugh easier. You make a joke in the pharmacy when she can’t understand you, and it feels okay, a little daft but not sad. You sneeze one morning and the top ones almost fly across the kitchen. Two weeks ago this would have made you miserable, now you just have to laugh. Bone spurs work their way out the gums and you don’t feel as shocked as you used to. It feels like someone has turned the difficulty down. You’re not playing on ‘hard mode’ anymore.  

One month exactly from the surgery date. It’s hard. Really hard. You still have off-days where you’re frustrated and unsure, and the dentures cause pain and you’re tired. But you’re coping. You’re adjusting. You’re winning. You don’t regret the decision you made, even if you wish you hadn’t had to make it. 

An online friend posts a quote from The Lord of the Rings, and it hits you right in the heart.

Frodo says, “I wish the Ring had never come to me. I wish none of this had happened.
Gandalf replies, “So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us.”

You know very deeply how Frodo feels, but also understand Gandalf‘s response. You’ve been given more time than you thought you had. Time that is pain and trauma free. You thought at one point this would have no end, that you would have to endure the aftermath forever. You thought you would hate the dentist who did this to you always… and you will! But you will also learn to let that hatred go and live a good life. He’s not important to your story anymore. 

There is still a lot to overcome and get used to. Gum heals quickly, in a matter of weeks, bone takes many months. Your mind may take much longer still. But that’s okay. Just keep going. You’re doing so, so well, and I’m really proud of you.  

“Little Teeth” (short story, body horror)

First published in Twisted Anatomy, Sci-Fi & Scary, 2021 
https://www.amazon.com.au/Twisted-Anatomy-Body-Horror-Anthology-ebook/dp/B08TGCND39

Republished in Reflections, Wild Wood Books, 2022

eBook free to download at:
BookFunnel: BookHip.com/HCZWBQW
Smashwords: bit.ly/TWreflections

Content warnings: depicts body horror, dental trauma and self-harm, profane language


Her tongue finds it first, by accident, as she runs it, absentminded, across her gums. It feels massive, a gigantic protrusion. An unexpected fresh addition in her mouth, nestled behind her front tooth. 

She turns to the mirror, wide and backlit by an array of high-strength bulbs. She opens her mouth and leans back, back. So far, it feels uncomfortable. But even at this angle, she can’t see. She rummages in her handbag for her powder compact, puts the second mirror to her mouth, and tilts it to forty-five degrees. She peers at her reflection; searching, intent. Then she spots it. A tiny, white pustule, no bigger than a pinhead, poking through the pink skin of her palate. She picks at it with a fingernail, curious but perturbed. It’s something new. Something wrong. Something… alien.

“Katy, what the hell are you doing in there?” A shout of frustration is echoed by a thump, an assault on the hardwood of the door. “Damn it, Katy. You’re already late. Come on!” 

Daniel, her long-time assistant and onetime bed-fellow. Much more than a lover, but not quite a true friend. Their relationship is complicated by work. He is diligent and useful but always so anxious. Such a slave to the clock and calendar. She suspects that he’s in love with her, but she doesn’t feel the same. She can’t bring herself to lower her boundaries. To give someone else her trust. 

She grimaces and presses her lips tight together, then closes her eyes and exhales. She will take exactly as long as she needs. She can’t be late, it’s simply impossible. The show cannot start without its star. 

She brushes an imaginary speck off her pantsuit and checks the line of her scarlet lipstick. She runs her fingers through her dyed blonde hair, and flicks her head so it cascades around her shoulders. These are meaningless gestures, of course. She looks totally fine, perfect even. The flawless, gorgeous face of ‘Petals and Pearls’ cosmetics. Well… ex-face. Now, the inimitable Katy du Campos; talk show host, actress, television producer and celebrity. 

“Katy! Get out, now!”

She unlocks the door and opens it and is greeted by a raised fist. Daniel yelps and pulls back mid-knock, thrusts his palms to his sides.

“Darling!” she says, with saccharine sweetness, laced with a deliberate smile. “Whatever are you so wound up about? I’m right here.”

Daniel groans and waves a piece of paper in her face.

“D’Nae is waiting onstage already. Tarah Johnson, the writer, is next, and then you’ve got a heart-to-heart interview with…”

“With Sir Robert Flanagan. Yes, darling. I know my schedule.” She sweeps past him in a wave of warm scent and soft fabric and pauses before she heads to the stage door. “Oh, Daniel, could you be a dear and book me in to see Frederick as soon as possible?” 

Daniel stalls, his expression blank. She sighs. 

“My dentist, Daniel. Thank you.” Then she turns and struts away down the hallway. 

The strange lump is not bothersome, at least, it doesn’t hurt in any way, but she finds herself frequently pressing on it with the flat part of her tongue. It feels so much bigger than she knows it is, an intrusion in her personal space.

Daniel does his job and arranges an appointment, but Frederick Wahls is enjoying fine weather further south on his favourite golf course. There is a wait; five days. She is enraged. 

“God damn it, Daniel! Five days? Five fucking days!”

“He’s in another State, Katy. What do you expect me to do? Demand he cuts his vacation short just for you?” 

“I expected you to express the urgency, Daniel. To do your damn job! Not blithely assume that five days is an acceptable delay. For God’s sake…” 

“I’m sorry…” he begins, but she raises her palm as well as her eyebrows and he falls into a guilty silence. 

“Enough. I suppose I shall simply have to wait, won’t I? No thanks to you.” She waves to the door, dismissing him. Doesn’t even watch him leave. 

She pours herself a glass of neat Scotch, sips it, and runs her tongue around her mouth. The lump has grown, almost pea-sized now, and appears to be echoed by a second. Tiny, yet solid. A faint swelling behind her incisor.  

At least it’s hidden inside, she thinks, as she drains the glass in one deep swallow. No one else can see that it’s there. Nobody knows but me.

Three days until her appointment and she knows she can’t wait any longer. Five lumps of various shapes and sizes crowd together on the roof of her mouth. It’s too much. She cannot bear it. 

Daniel calls the practice again for her. There is another dentist she can see as an emergency patient. To hell with the cost. She accepts the appointment, and in a few hours, she is lying backwards in a black, vinyl chair. 

The dentist, Erin, is young and pretty. Barely a few years older than Katy’s own daughter. Around the same age as her ex-husband’s new wife. Her teeth are so perfect and so blindingly white, they look almost unreal. Katy hears the snap of latex gloves, prepares herself for their touch. She’s always detested the feel of them. Clammy without being wet. When they catch her lips and brush her cheeks, it sets her teeth on edge. It’s a visceral feeling she can’t control. It makes her want to vomit. 

“Okay, Katy, if you can just relax and open up a little wider for me?” The dentist rubs her fingers across the nodules. Katy breathes deeply and tries not to recoil. Resists the urge to bite down. Next comes a succession of lights and mirrors, of tools and more exploratory touch. Finally, satisfied, Erin rights the chair and brings Katy up to her level. She removes the gloves and tosses them in the trash, then flashes her sparkling grin. 

“Well, Katy, the good news is I don’t think this is anything to worry about. It appears you are experiencing some kind of hyperdontia.” She sees Katy’s confusion and explains. “It’s when you grow some extra teeth. But these aren’t real teeth. These are more what we would call microdonts. They share some physical similarities with fully formed teeth, but they don’t have quite the same root structure. We’ll take an X-ray just to be sure, and I suspect the next step will be a simple extraction.”

Katy listens, but the words confuse her. Erin’s voice seems odd and unclear, like she’s speaking from the bottom of the ocean. New teeth. Growing new teeth. She fumbles for the words she needs. 

“How is this even possible?” she asks. “I’m forty-seven, for Heaven’s sake. I’m far too old to be growing teeth!” 

Erin chuckles. “Not at all. There are quite a few reasons why it might occur. Do you have any underlying conditions? Any genetic disorders or the like?”

Now it’s Katy’s turn to laugh as she says, “Good God, no. Absolutely not.” She’s in fine health. There’s nothing underlying in her.

The dentist’s expression turns suddenly strange, like she’s swallowed something distasteful. Katy wonders what she’s said that could have possibly offended her. But it passes swiftly, and the girl smiles again.

“Okay, well, let’s do an X-ray and we can get a better idea of what’s going on.” She holds out a small metal pan and gestures to the diamonds in Katy’s ears. “I’m going to need you to remove your jewellery, please.”

“Oh,” Katy says, and puts her hands to the studs. “I’ve never had to take them out before.”

“That’s probably because you only had bite-wing X-rays previously. I’d like to do a full, extra-oral one to check out your whole jaw. I’m afraid your earrings might affect the results. They could hide things we need to see.”

Katy plucks at the backs with nervous fingers. These adornments aren’t just any old studs, they are valued antiques. Her ex had gifted them to her on their third wedding anniversary. Two carat princess-cut diamonds set in fourteen carat white gold. Twelve thousand dollars’ worth of sophistication and style. He’d wanted them back in the messy divorce, but Judge Henson had overruled him. It was an amusing, joyous win for her, and a slap in the face for him. She is reticent to remove them, and she certainly won’t entrust them to a stranger. Sticky fingers might be tempted to touch what’s not theirs. Lessons learned from leaving items in old dressing rooms. 

“I’d rather keep them in.”

“I’m concerned we might not get a clear picture. You can hold on to them yourself if you prefer?”

“No. They stay in,” she says resolutely, and glares at Erin, daring the girl to counter her decision. It’s the principle of the thing that matters to her. The dentist nods, tight-lipped. 

“Okay. That’s your choice,” she says. “Now, if you’d follow me to the X-ray room?” 

They walk together down the corridor. Erin moves faster, a few paces ahead. The radiography machine is much larger than Katy is expecting. She is required to stand in front of it while its structure surrounds her head. It feels ridiculous and more than a little claustrophobic. 

“You said you were forty-seven?” Erin asks her.

“Yes.”

“So, no chance of pregnancy?” The question stings, although Katy isn’t sure if it’s meant to. You’re old, it says. Washed up and infertile. No room in that womb for new life. More than that, it’s a sharp reminder that she’s never had that experience, and now she never will. Too posh to push, but a mother nonetheless. Mellie was born via a surrogate. She’s often wondered if that’s why they’d struggled to connect. Why the girl always seemed to prefer her father. 

“No,” she replies through gritted teeth. “I’m not pregnant.” Erin nods and moves her gently closer to the machine.

“Stay still,” she says, and Katy hears the low hum of what she assumes is the machine powering up. Then Erin leaves the room and there’s a heavy clunk and more noise, but this time it’s like a haze of sound. She’s disoriented for a moment, feels pressure in her head, then Erin’s cupped hands on her shoulders.

“Katy? Miss du Campos? Are you okay?” 

“Yes, of course. Why wouldn’t I be?” The dentist’s face seems somewhat pale. Her tone is different. Concerned.

“Come on back to my room, Katy,” she says quietly. “We need to discuss your X-ray.”

Daniel arrives in a private car, not one sent by the studio. She called him, not knowing who else to trust. Hysteria makes her voice sound shrill. He’s never heard her unravel quite like this, and he comes as quickly as he can. He runs red lights and pushes the speed limit. Skids as he takes corners in the rain. 

She is waiting down the street from the dental clinic, sheltered from the weather beneath an awning, and smoking a menthol cigarette. She flicks the end with a nervous thumbnail, and a grey snake of ash falls to the ground. 

“I thought you’d quit?” Daniel comments.

“I thought I had too,” she replies, and puts herself in the passenger side of the car. He is surprised. She usually prefers the back seat. “Come on,” she urges, and he joins her, taking his place behind the wheel. 

They drive in silence but for the swish of the wipers sweeping away the drizzle off the glass. He finds the quiet disconcerting. She’s never normally lost for words. He clears his throat and attempts a conversation.

“So, do you want to talk about it?” he asks.

“About what?” she replies and averts her gaze. 

“Whatever it is, that’s got you so upset.”

“I’m not upset. Why would you say I’m upset?”

“Katy, please. I know you. Just… Know that I’m listening, okay?” 

She chews a hangnail absentmindedly. Yelps when she pulls it too close to the quick. He can see the tension in her shoulders. The muscles in her jaw pulse and twitch. 

“Katy…?”

“I’m fine, Daniel. Really.” 

The rainfall grows heavier, leaving patterns on the windows as the droplets race down the glass. She watches the rivulets run into one another, like the thin tears rolling down her cheeks. 

She remembers the image the dentist had shown her. The shock and surprise in her voice. The X-ray, which Katy could scarcely believe was real, let alone belonging to her. It was like something from a freak show in a carnival. From an Internet hoax, intended to disturb. From the very worst horror movie she’d ever seen. So grotesque, it couldn’t possibly be true. 

The image; her jaw in black and white, teeming with unusual white space. Rows upon rows of tiny tooth buds scattered inside her skull. Clusters layered within her jaw. Circling both nasal cavities. They were there, in her bones, waiting to erupt. Like parasites buried in her head. 

The house is quiet when she enters, made dark and still by the storm. Hestia and Artemis, her two Blue Pointed Siamese, are curled up asleep in their basket, oblivious to her return. She sent Daniel away as soon as she could. Not ready to talk. To remember.

Her smartwatch vibrates on her wrist and she flinches, but it’s just a reminder alarm. Time for her daily vitamins. An attempt to stay healthy and well. 

Mellie always said that they were useless. A waste of money. A con. 

“Eat less crap, and move your body more,” she’d said scornfully. “That’s the key to a good life, Mother. Not these stupid, expensive placebos.” But Mellie was still in her twenties, and for her, looking good was almost effortless. Such careless ease was just a memory to Katy. Good genes could only go so far. It took piles of money and lots of hard work to maintain her flawless appearance. 

 A well-meaning acquaintance at the studio had found her this particular brand. Only the purest organic ingredients. The best supplement money could buy. High in calcium, magnesium and vitamin D. All essential for women her age. But the real beauty, the woman had told her, was their secret, unique formula; an elixir that could regenerate old bone. And the proof certainly seemed to be in the pudding. The woman’s hair was thick, shiny and lustrous, and her skin was so clear and dewy it almost seemed to glow. She was lithe and supple, her movements graceful. She didn’t make any of those strange, strangled noises like Katy often did when she stood up after she’d been sitting for too long. 

Katy had been immediately envious. She knew the woman had eight years on her but could easily pass for ten younger. She’d bought the entire selection, taken double the recommended dose. She’d been far too gullible, too trusting. Impatient to reap the rewards. 

And now? Could they be the cause of her misery? She regards the two pink pills in her palm and tips them back into the bottle. She takes her phone from her handbag and scrolls through her contacts. Finds the one she needs. The line rings and rings but doesn’t connect. An automated voicemail springs to life, and she speaks as requested after the beep.

“Helen? Hi! This is Katy. Katy du Campos. We met at the studio. I’m just…” she trails off. Just what? 

Just calling to see if those pills we’re both taking have turned you into a medical anomaly? A freak of nature? A monster? 

No. 

Just wanted to know if you knew the risks? Or if maybe you lied to me and sold me down the river, you washed-up, jealous, old bitch? 

Definitely not. 

“Never mind. Call me.” She says. She puts the phone down on the breakfast bar and tries to will her heartbeat to slow down. Around and around her gums, her tongue goes, and she feels the irregularities in her skin. Counts them… One… Two… Five… Thirteen… Some tiny, some not so much. 

“Like nothing I’ve ever seen in my life,” Erin had said. Complex odontoma. Teratomas. A monstrous tumour. Then the C word no one ever wants to hear. Finally, talk of an operation. Of removal. Of some further study. And she had practically run from the clinic right then. The hideous image of the X-ray burned in her mind. 

She pours a drink and runs her fingers through her hair. Tries to smooth away some of her tension. Her left eye feels scratchy, as if irritated by an eyelash. She rubs it with a fingertip and freezes. In the corner, near the tear duct, she feels something solid. She screams like her life is in danger.

Daniel tries to call her multiple times through the evening and across the following two days. She doesn’t pick up. She can’t pick up. She spends the hours drowning in alcohol.

The dental clinic calls her too. They leave many messages that she won’t listen to. She deletes each one as they come in. She is terrified of what they might say. They’ll want to break her open, she knows. To cut into her face. 

She is startled in the morning by a buzz at the gate. She sees Daniel outside on the security camera feed, waving at the house.

“Go away,” she tells him over the intercom. “I want to be left alone.” But he refuses.

“If you won’t let me in, I’ll find a way to gain access, whether you like it or not,” he says. She doesn’t doubt it. He can be as stubborn as she is. 

He finds her in the dark with all the house blinds closed. A scarf has been thrown over the oversize mirror mounted in the open hallway. She has draped another over her head. She looks utterly ridiculous, he thinks. He notes the open and empty bottles, the cigarette butts crushed in a crystal bowl. He sees a metal toolbox on the floor by the fireplace. Open and spewing its contents. A hammer. Some pliers. A drill. There’s a pile of towels dumped on the floor too. Brown stains. Is that coffee? Or blood? 

“What the hell’s been going on, Katy? Why aren’t you answering your phone? I’ve had Stuart Valliant from the network breathing down my damn neck all of yesterday, and I had no idea what to tell him. I really hope you’ve got a good explanation!”

She makes her usual hand-raised gesture, demanding his silence and attention. He’s too angry, too confused, too tired to care. He’s had enough of her theatrics.

“And what the fuck is with the scarf on your face?” He goes to grab the material, to pluck it from her head, and she shies away from his touch. Her hip collides with the breakfast bar, and she grunts and stumbles before steadying herself. 

“Don’t,” she says, and her voice sounds strange. Muffled by the fabric, and something else. She sounds like his young nephew does when he sucks on a giant gobstopper. The candy too large for his mouth. 

“Are you sick?” He asks her, a little calmer. “Is that what’s wrong?” She nods and lets out a strangled cry.  

“Do we need to get you to a doctor?” 

She shakes her head and wrings her hands. “It won’t help,” she garbles. “It’s too late.” 

She removes a Marlboro from the carton with shaking fingers and goes to put it to her lips. But she forgets about the scarf that’s in the way. A silken barrier that denies her her craving. She throws the cigarette to the floor, enraged. 

“Katy,” Daniel says slowly. “I’m worried about you. Take the scarf off, please. Let me see?” She replies with a furious shake of her head and backs away from him, arms outstretched. “Come on, Katy! How bad can it be?”

“I wanted to take them out myself,” she mumbles. “I couldn’t bear it, you know? Them being there. All of them under my skin. And the itching and the pressure… Oh!” She grows more agitated as she speaks, paces back and forth. “I tried, Daniel. I really tried. But I can’t… I got one. Just one. But there’s so many more!”

“What is? What are you talking about?”

She picks up a glass and upends it. Tips something into her hand. She passes it to him, something small and hard. A tiny round shape in his palm.  

“Will you help me, Daniel? To get them all out?” And then he realises what she’s given him.

“A tooth? You took out a tooth?” But this is too small for an adult tooth. Perhaps it’s one of Mellie’s baby teeth she’s kept. But why? Is this a prank?

“What is this?” He demands. “What the fuck’s going on?” And she sighs deeply and pulls at the corner of the scarf. The material ripples and flows like water, revealing the horrors beneath. 

From every orifice, and across both of her cheeks, pale pustules erupt and spread. Her eyes are swollen, her lips malformed. Her nostrils are wide and stretched. What skin remains is pinched and torn, freckled by tiny, white dots. 

‘Will you help me?” she asks him a second time. Her jaw is crammed with lumps of enamel. Her tongue encrusted with pearls. 

A wave of uncontrollable nausea hits him. He vomits on the floor. On his shoes. 

“How?” he begins, but he can’t go on.

“The dentist, that new girl, she X-rayed me. I thought she was lying. I wanted her to be lying. Oh God, Daniel! If the press gets hold of that picture… You know I can’t let anyone see me like this. These things, they’re in here,” she says, pointing to her skull. “They’re growing. And I don’t know why!” 

She scurries to the fireplace and picks up the drill, proffers it to him with a misshapen smile. One eye is closed, the eyeball obscured, both lids weighted down and distended. He sees buds of ivory peek through her hair, a broad line of sharp points at her scalp. There’s a ragged hole in the lower part of her cheek, plugged with blood that has dried almost black. It looks like a grotesque beauty mark. A dark chasm from which her sanity has fled.  

“Help me, Daniel,” she pleads. “There’s just so many. I can’t… Please?” And he takes the drill from her hands. 

Love Song for the Dead

(First published The Dead Inside, 2022)


I put your letters in the closet 

with my old school shoes,

eleven years and seven moons ago.

I vowed to keep them hidden, 

pushed as far back as they could go,

boxed up with the memories they held.

But memory finds me waiting, 

poised to act in haste and fear, and 

memory is a poison in my blood.

Like an infection in a wound 

that took too long to fully heal,

a kiss was all it took to make it spread.

A scorpion’s sting of devilry,

you found a chink and took the plunge,

pierced my armoured heart until I wept.

O, deliver me from evil. Scrub this stain,

sins of my past. Where am I now?

A million miles from where you left me. 

Abandoned at the roadside, 

tossed aside, dumped at the curb,

you ran alone and ran away. I couldn’t follow.

While you were hounded from your home

I held my tongue and closed my eyes, although…

the taste of you still lingered on my lips.

And shamed, I confessed all, 

to black ink pools, and shadowed graves.

I howled into the wind and cursed the night.

My pockets full of rocks, a weight that pressed, 

and I, undressed, prepared to walk, 

and send my bones beneath. But stalled.

Now, hush…

These secrets sewn in lips that lied, 

like I laid down beside you, 

I swiped the tears away and washed you clean.

Those faded scars upon my flesh –

a map that led me home again –

I built my dreams on stories that weren’t mine.

And he, with hands of stone and blood, 

became the wall around me, stood as a

protection and a curse; a hidden bruise.

I paid the toll with white lace hems, 

a hundred guests caught in pretence 

I held my breath and caged my wicked truth.

He hammered nails into my chest, 

my bed was made, and so I gave

my all as it was ever asked of me. 

He. Took. My. Very. Soul. From. Me.

Carved up, dug in, spooned out and hollowed,

Pumpkin, sweetie, honey pie…

“Bring me another beer. Bitch.”


And I, lost in my pain, looked up 

to find you come upon my step,

star-swaddled, haloed by a half-draped moon.

You took my hand and whispered,

“Run…” 

God knows I’ve made enough mistakes. But this?

Bar lights, Coors Lights, bright neon signs, 

flashing like a firework and a pulse inside my head, 

with a warmth upon my skin that spreads like oil.

A shark-toothed smile, a tilted head. 

But that’s not who I am now, did you forget?

You left me here to rot. 

And if he knows, if he finds out, 

it won’t be bruises, but hot copper in my mouth.

And fire burst between my legs, 

as he pummels all his hatred and

six drinks down, I know it’s time to 

Stop!

For all the words would ruin me,

and all the sins would burn me,

and God will never, ever take me back. 

Your dimples, crinkles, gold-flecked eyes,

Like hazel drowned in chocolate, I

yearn for that forbidden, shameful taste. 

You always brought such drama, and

I was drawn to the despair

The tragedy you craved a centre stage for.

You dressed everything in fantasy, 

I was just your Page,

but soft, you know full well how this must end.

“We won’t look back?” I ask you, 

and your answer strips me raw,

we leave that place united, star-crossed lovers evermore.

See now, a mouth filled with surprise 

and questions left unanswered. 

A blade is buried in the flesh, 

clear water blessed with blood.

In black ink pools, a shadowed grave, 

a body buried under.

Like letters hidden, tucked away, 

boxed up and bound with tape,

my old school shoes are long gone now

sunk deep beneath the lake.

Sir Julius Vogel Awards—finalist!

I was delighted to receive an email this afternoon to let me know that I am a Sir Julius Vogel Award finalist for the 4th year running!

This year I have been successful in two categories:

Best Collected Work: Reflections

Best Fan Writing: “No Horror Without the Body: How Body Horror Helped Me Embrace Being Nonbinary”

The finalists will be voted on by members of SFFANZ and the winners announced at a ceremony later this year.

This also means that all of my self-published collections are SJV finalists!

REFLECTIONS, a new ebook

It’s been a very strange year. I definitely did not think I would manage to get *anything* done, let alone actually put out another collection. Plans and goalposts have been moved around and cancelled, and I almost gave up completely after my laptop ate my WIP!

Despite all that, REFLECTIONS has been born, and I have decided to release it for free to whoever is interested. This is my present to you, my dear readers, for sticking with me even though I have been very much M.I.A. this year.

You can download an ePub, Mobi or PDF via BookFunnel at: https://BookHip.com/HCZWBQW

Or an ePub via Smashwords at: https://bit.ly/TWreflections where you can, if you wish to, Pay What You Want.

Happy holidays, and thank you for your support. ~ TLWood.